Although Eliot’s work cannot be oversimplified into two main themes or ideas, there is a sort of duality and contrast that has faced in The Waste Land, the more that we read through it and about it. It is definitely making the bigger statement related to the world and the bigger intellectual/literary world in a sort of parable-like manner, or a warning, if you will. On top of that, there are definitely snippets and an overall undertone or a serious personal level from Eliot’s point of view that he has splattered on to the piece. Through the readings for today, we see how his transition into the UK and through people like Pound, how he has come to experience and greatly impact the literary scene during the war as an intellectual and an integral part of the world of literature. However, as the ending notes of Chapter 4 states, although him meeting his wife, Vivienne was a great thing, their relationship and Eliot’s mental breakdown as a writer makes The Waste Land both interesting, autobiographical, and just utterly confusing. When is he talking to a larger us? When is he just meditating through his lines? When is he trying to outreach to the society he has ascribed to in the UK? The world may never know. After all, we don’t know if he was entirely sure of anything.