The cover image of Bruno’s Weekly (volume 1, no. 20) caught my attention, and the entry in there I would like to address is on page 15 and is titled Phantasies. I think several comparisons can be drawn between this entry, Eliot’s The Waste Land and the Tzara manifesto. Phantasies opens with a lonely man who is retreating inward after his lover leaves him. He retreats far enough into himself that he seems to live in a fortress. At first he enjoys it, but it becomes corrupted as it is not actually protected from the outside world.
Phantasies has some echoes of part two of The Waste Land‘s “Game of Chess” because inside the speaker’s “fortress” he experiences disgust of fumes of wine, and of lusty laughter. Saying the speaker’s fortress is internal makes sense considering he asks why women bring heartbreak, and answers with because “she lives with us.” The speaker seems to blame himself for his lover’s departure, hence the eventual corruption of his internal fortress. There is also something about this that echoes Tzara because the speaker casually contradicts himself by saying that “Woman is made to please us” and then, “But they do not please us.” Tzara, in his manifesto, seemed uncaring for “science” and finite or set answers. I think the contradiction of the rule “Woman is made to please” in Phantasies, is what echoes Tzara the most.